Wednesday, May 30, 2012
Mm. Smell that angst.
I will rip the first three pages from your favorite book and I will
eat the memories I have of you
in one
bite.
I will devour any trace of you by
burning
my skin
away.
I will dissolve every look every time every
good intention on my tongue like bad sugar,
like bad sugar you
will remain
a temporary
satisfaction
for anyone
you touch.
like a fictional character's pain
a hand
touching my cheek,
I feel it there - warm - settling on my
skin like debris settles
on the earth after the
explosion.
I can soon feel the bruises bloom
beneath my skin, they are varied in
color and in size and they remind me
so much of
the valleys I've left in my wake,
I wouldn't call them craters for
they are not baren. I do believe in
the preservation of life
in all things, I find it necessary.
but without warning the hand disappears like mist
though my fingers, I cling to something like the
dew you see so often in the early morning, I cling to
space and to time and to the very edge of
everything, that is, everything that I can
think of.
instead of sorrow I feel only emptiness, no stabs of
pain or gasps gasped in horror, just
a dead-pan expression
and hollow
silence.
Tuesday, May 29, 2012
there was no burning.
there was non-chalance and too
much space, a rift that sank from
her chest, with bones protruding like piano keys,
to my chest, pock-marked with kisses and swelling
in pink youth, I
still don't understand
much of it, but I have
always known one thing:
we will never get another try at this.
Monday, May 28, 2012
it means nothing when I picture your hands sliding
through the motions of my patient body, of your eyes smiling when I am
beneath your slight frame.
until everything is anything again and
until the wind has stopped blowing at my back
or until I have enough courage to turn around,
I will settle, with limbs limp, into a deep, u-shaped sigh
and drift in and out and
in and
out of
this conversation
watching your
lipslikepetals
caress the air and
fondle my breath,
knowingly or not.
through the motions of my patient body, of your eyes smiling when I am
beneath your slight frame.
until everything is anything again and
until the wind has stopped blowing at my back
or until I have enough courage to turn around,
I will settle, with limbs limp, into a deep, u-shaped sigh
and drift in and out and
in and
out of
this conversation
watching your
lipslikepetals
caress the air and
fondle my breath,
knowingly or not.
Thursday, May 24, 2012
oh high
there's something in the middle of me, in the middle of
me there is a large something
pushpushing against my skin and
aching against my vital organs, I
can feel my heart strings as they are
are tuned up up up and pulled to the taut
-ness of a mandolin. the monotonous monks that
me there is a large something
pushpushing against my skin and
aching against my vital organs, I
can feel my heart strings as they are
are tuned up up up and pulled to the taut
-ness of a mandolin. the monotonous monks that
haunt my chest take on a barely audible hum,
angelic, the lightness of
their voices driving into the tips of
their voices driving into the tips of
each of my quivering limbs like
feathers, they are like
feathers in the sense
feathers in the sense
that I am
covered in
them, I am
buzzing with
a glow of satisfaction - !
--------------------------------------------------------------------
^that is a work in progress. I've obviously got to come down from that high.
Monday, May 21, 2012
"Have you seen how thin he is?"
You look like you're ten years old.
You look like you did in that picture on the fridge
of a boy all wet from swimming and happy from
living.
It's only now that I realize,
I never knew your
happiness.
I only knew
my own.
Wednesday, May 9, 2012
Tuesday, May 8, 2012
repetition is a sort of therapy for me, I've found
I don't trust you,
I don't trust you, I don't.
I think you're too easy-peasily swayed by the fraying ends of
dress hems, by the tails hanging loosely from the back of girls too
pretty for you, and by your impatient and italicized
need.
I am ready to be swallowed by the massive curls of your body and
I am ready to have my heat (it's all gone to my chest)
recognized standing next to your heat (I can tell it's all in your head)
because the time it has taken for a
face-forward-palms-un-clenched
acknowledgement
has been ex-
cruciatingly
hopeful and
pain-
fully
trivial.
I am ready
to not be
trivial
anymore.
But I don't trust you.
I just don't
trust you
at all.
Thursday, May 3, 2012
if you're wondering
I'll be dreaming safe and sound, it's
all I've got so I'll be sleeping a lot more
often, now.
I'll be drifting in and out of the
conversation because it's all I can do to keep from
watching your
lipslikepetals
caress the air and fondle my
breath, knowingly or not.
Wednesday, May 2, 2012
is/was
bad books and toothpaste left on my face in the morning, I'm early all the time and I don't want to wait for anyone to finish their sentences before my mind becomes a mimosa pudica, the foliage closing, sleeping in the dark of the closed mindedness I've been suffering from. the magnitude of dry layers my skin has collected is truly astonishing, only letting pass my hesitant perspiration and the vibrations of my gong-like heart muscle. it resonates within my chest cavity before sinking into a slumber for days at a time. I don't miss it, I don't.
Tuesday, May 1, 2012
sticky red and circling black charcoal, the
pink cheeks are all mine, I can
still blush on my own,
(thank god)
I can still feel the heat surfacing while I
am painted in this sickly green fluorescent light
(as compared to
my own
sweet sunshine)
I don't feel pretty all the time,
but when I do it's on my own
- all -
on my
own.
pink cheeks are all mine, I can
still blush on my own,
(thank god)
I can still feel the heat surfacing while I
am painted in this sickly green fluorescent light
(as compared to
my own
sweet sunshine)
I don't feel pretty all the time,
but when I do it's on my own
- all -
on my
own.
Saturday, April 28, 2012
Mmm.
that anyone could make me feel naked in
suspense, a need to curl my fingers? I'll remind myself
that I need my bed rest, that I need
the thing that heals, that I need
anything at all is too much, it's too
tedious to need, I won't admit to
it, most of the time I won't.
groaning grows from the throat, trickling down,
my voice isn't sweet like honey,
but more harsh harsh harsh in ways like
dry swallowing big pill after pill after pill.
the ends of my fingers are beams, they are brightest
when I touch the space between me and
the space between you and the soft space
left after drinking what we
bottle
up,
every time
every time.
suspense, a need to curl my fingers? I'll remind myself
that I need my bed rest, that I need
the thing that heals, that I need
anything at all is too much, it's too
tedious to need, I won't admit to
it, most of the time I won't.
groaning grows from the throat, trickling down,
my voice isn't sweet like honey,
but more harsh harsh harsh in ways like
dry swallowing big pill after pill after pill.
the ends of my fingers are beams, they are brightest
when I touch the space between me and
the space between you and the soft space
left after drinking what we
bottle
up,
every time
every time.
Thursday, April 26, 2012
I know you're as hungry as I am.
Let's let the hem out of every
skirt we own so we can
be
long
belong in
their fraying ends.
skirt we own so we can
be
long
belong in
their fraying ends.
Friday, April 20, 2012
writing this while I'm not writing something else
there's something to be said about
the time it takes for words to
formulate, make their way
all the way down to the tiptips of our tontongues,
I savor the ringing silence that comes
after the bitter ones leave, the after-taste of
arguments and the residue left from things I didn't mean.
if I could I'd pour nectar down my throat and
speak in whispers only in whispers and then
quiet quiet
quiet
down, I'd
whisper,
quiet down.
the time it takes for words to
formulate, make their way
all the way down to the tiptips of our tontongues,
I savor the ringing silence that comes
after the bitter ones leave, the after-taste of
arguments and the residue left from things I didn't mean.
if I could I'd pour nectar down my throat and
speak in whispers only in whispers and then
quiet quiet
quiet
down, I'd
whisper,
quiet down.
Wednesday, April 18, 2012
Tuesday, April 10, 2012
halfway between home and the nomad's life
In my room there was
a strand of christmas lights
lining the four walls,
eating itself where it
began and my records are
filed in a cardboard box in the corner.
When I left I left two piles of clothes,
one for keeping, one for
burning. For
I left a pair of scissors on the floor and
the smell of moist towels molding the air.
-----------------------------------------------
It seems the clothes have evaporated with the tears,
leaving the scissors in a cup on the desk while
the strand of lights no longer clings to the wall
but droops in the center of this
purged,
tired
room.
The records, thank god, haven't been touched.
-----------------------------------------------
When I left I thought I left what I cared about because
it hurt too much. As it turns out, I left a pile of shit
and some fucking
christmas lights.
a strand of christmas lights
lining the four walls,
eating itself where it
began and my records are
filed in a cardboard box in the corner.
When I left I left two piles of clothes,
one for keeping, one for
burning. For
I left a pair of scissors on the floor and
the smell of moist towels molding the air.
-----------------------------------------------
It seems the clothes have evaporated with the tears,
leaving the scissors in a cup on the desk while
the strand of lights no longer clings to the wall
but droops in the center of this
purged,
tired
room.
The records, thank god, haven't been touched.
-----------------------------------------------
When I left I thought I left what I cared about because
it hurt too much. As it turns out, I left a pile of shit
and some fucking
christmas lights.
Thursday, April 5, 2012
fourteen to fifteen I was
I remember having long hair. I remember,
I felt like the wind would ruin me as it whipped me about, as it
tore me from behind curtains and into sunlight, I felt
naked. I loathed the wind, I loathed
it. I closed my eyes. Everytime, I closed
my eyes and thought "if I can't see them
see me like this, it isn't real it isn't real"
I remember feeling that easily-swayed way, that
trembling-all-over-all-the-time, that shifting-sliding-about-to-break
feeling of insecurity.
I don't
miss it, I
don't.
I felt like the wind would ruin me as it whipped me about, as it
tore me from behind curtains and into sunlight, I felt
naked. I loathed the wind, I loathed
it. I closed my eyes. Everytime, I closed
my eyes and thought "if I can't see them
see me like this, it isn't real it isn't real"
I remember feeling that easily-swayed way, that
trembling-all-over-all-the-time, that shifting-sliding-about-to-break
feeling of insecurity.
I don't
miss it, I
don't.
Friday, March 9, 2012
I don't don't don't.
You can never help with your money. Money is dirty.
Money is worse than anything you have to give, which is a whole lot.
You can help with your voice and compassion and a little dignity wouldn't hurt.
You can help with your knowledge and your passion and your creativity.
And you can help with your stories because
who doesn't love a good story?
I don't want
your money.
Money is worse than anything you have to give, which is a whole lot.
You can help with your voice and compassion and a little dignity wouldn't hurt.
You can help with your knowledge and your passion and your creativity.
And you can help with your stories because
who doesn't love a good story?
I don't want
your money.
Wednesday, March 7, 2012
cheesin'
I wish I could write beautiful poetry about
mac n' cheese from a box.
But I haven't the room in my stomach for
poetry.
mac n' cheese from a box.
But I haven't the room in my stomach for
poetry.
Sunday, March 4, 2012
I'm asking, now.
make eyes, little girl, make
eyes
at me.
make them stars so I may not
lose them in the over-bearing light
of day at times and
make them burn like
third-degree burns so I'll
never forget the feeling of them
on my skin.
make them that sweet poetry you speak so that
my palpitating heart can know what it's like to
stop mid-sentence and
(quietly, now)
make eyes, little girl, make
eyes
at
me.
eyes
at me.
make them stars so I may not
lose them in the over-bearing light
of day at times and
make them burn like
third-degree burns so I'll
never forget the feeling of them
on my skin.
make them that sweet poetry you speak so that
my palpitating heart can know what it's like to
stop mid-sentence and
(quietly, now)
make eyes, little girl, make
eyes
at
me.
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